“Because I Could Not Stop for Death”: An Analysis of Emily Dickinson’s Style

Emily Dickinson was an exceedingly eccentric poet of the Romanticism movement, whose enchantment with demolition and the after career is embodied in her verse form Beca enjoyment I Could Not stopover for cobblers last-place. The piece opens from the viewpoint of a cleaning womanly speaker, who is called upon by the someoneified character of decease to scud the travel to the afterlife. It is evident that the poets degenerate life and disillusionment with society spurred m whatsoever a(prenominal) deep and insightful works to the highest degree her perspective on her own populace. Dickinson in effect uses the tools of personification and im get onry to portray a souls odyssey finished demolition. using subtle symbolism and by personifying finish as a suitor in her verse Because I Could Not menstruation for Death, Dickinson paints an stunt woman of her sen measurent of the final disagreement based on her own individualized experiences. Emily Dickinson was born to a middle-class family on December 10, 1830 in Amherst, Massachusetts. Her father was a Yale-graduate, chief financial absenticer, lawyer, congressman, and an mind he was not very involved in Dickinsons life, albeit serving as her fervor (Spiller 810).On the other hand, she did not begin along with her acquire Emily Norcross was not an intellectual by nature- she barely understood oft beats of her daughters poetry the mother was lonely and nonliterary, (Forman n. p. ). Forman also states that Dickinson was frustrated that her raisingal horizons were limited as a woman, although she go to the esteemed Mount Holyoke Female Seminary (Emily n. p. ). Furthermore, her education was terminated due to her lifelong puff upness complications resulting from polio. Her family consistently failed to support her, and she matte shackle by the life she was living.Around the age of 28, Dickinson suffered from an emotional crisis which caused her to write prolifically she drew into hersel f and her overweight mind, preferring to express herself mainly through garner and meters (Blake n. p. ). Throughout the course of her life, Dickinson exhibited many weird tendencies. She always dressed in discolor and remained a recluse. She refused to leave her home for any reason (Forman n. p. ). This was the direct result of her experiencing the remainder of two childhood friends, as strong her chronic health issues Dickinson often felt disconnected to the realism around her. She was invigorate by a world manifesting itself as unpredict fit, violent, and terrifying. She had suspected that the world was defective for just about time (Blake 218). Her perspective on her life, as well as her disillusionment from her surroundings, became reflected in her poems. Her workshould be seen in name of traditions of withdrawal from the world and of her resistance to them(Wolosky n. p. ). roughly notably during this phase in her life, however, Dickinson demonstrable an occupation with the concept of death and the possibleness of an afterlife.Many of her poems concord come to support her personal contemplations about mortality and death, in particular Because I Could Not forgo for Death, (Explanation n. p. ). principally in this work, Dickinson effectively uses the character of Death to convey the message that death is not a cruel, cold process. Death is personified, or describe in terms of military man characteristics. Figuratively, this poem is about one womans date with death. Death is a gentleman, who makes a call at a home of a naive five-year-old woman. (Explanation n. p. ).By representing mortality as a kind, courteous suitor whom the fabricator seems to have been anticipating, the notion arises that Death is nothing nevertheless an old friend who was always expect to come. It becomes an inevitability it is not unpleasant in the least. Dickinson envisions Death as a person she knows and trusts The carriage holds just now the two of them, t o that degree the ride, as she states with quiet emphasis, is a last ride together. Clearly at that place has been no deception on his part. Indeed, his graciousness in taking time to stop for her at hat point and on that twenty-four hour period in her life when she was so bustling she could not possibly have interpreted time to stop for him, is a curb of special politeness. She is hence quite involuntary to put aside her work (Johnson 222). The fibber welcomes Death, and although he was an unexpected caller, knows that he was stand out to come. Thus, she had put away/ Her labor, and her leisure too,/ For his civility (Dickinson 1). Dickinson also efficaciously uses symbolism in this poem to bring out conglomerate feelings and emotions in the reader, strengthening the overall mood, and therefore the meaning of the poem.By her use of item syntax and diction, the poem is able to lawsuit the exact feelings evoked by death and immortality, as well as the feelings associated with the illegitimate exposure to Death himself. In the poem Because I Could Not Stop for Death, the bank clerks journey was described as a slow beautiful drive, across the fields of caryopsis and preceding(a) the lay sun (explanation, n. p. ). The fields of cereal represents society and how eyepatch breathing, the fields of grain escaped the notice of the narrator, but now, while traveling with Death, she finally can instruct the true beauty and power of nature.The set sun reflects the end of one journey and the beginning of another, just like how the setting sun ends the day and signals the push through of nighttime (explanation, n. p. ). Dickinson uses the transition of the setting sun to convey the narrators transition from life to death. Dickinson was able to portray, through her extensive use of paintingry, the ambiguity as to whether the narrator is alive or dead the fact is not directly stated in the poem. Rather, there is a slow transition of the narrators s tate of being.The narrator starts off leaving the comfort of her house, invited for what feels like a ride in the park. However, as the poem progresses, the narrator is seen growing cold, and her clothes melt down only tippet only tulle. The light miasmal articles of clothing and the coldness suggest that the narrator has indeed died, and faded into the afterlife. The whole concept of time is also manipulated to give the poem such a dream-like feel. During her journey with Death, time slows down to a point where it doesnt exist time is a homosexual creation, and death does not follow time (Priddy, n. p. As she passes the children frolicking in the playground, she vicariously lives through her childhood again another animation has passed, from the youthful days of childhood to the senescence of the grain to the setting of the sun (Johnson, n. p. ).The- whizz of time being inconsistent and ever-changing allows the journey with Death to gain a truly surreal and abstract feeling. From start to finish, Dickinson master all-encompassingy creates a striking image of the human process of death, putting to full use the tools of personification and imagery, as well as subtle symbolism in her poem Because I Could Not Stop for Death. Her own personal struggles with the concept of death give Dickinson the ability to capture the brain-teaser and possibilities of the final departure with words she was able to translate the true emotions associated with death into poetry. To Dickinson, the existence of an afterlife made death not only the end of one journey, but also the start of another death is not an evil, but rather a necessary process. The net effect of literary devices combined with Romanticist beliefs results in a work that provides monumental insight into the world Emily Dickinson built around herself, specifically pertaining to her image of Death.